The Eye

The Eye (Ochi) is one of Vladimir Nabokov’s most intriguing and unsettling works, first published in 1930 and later translated into English. The novel is a psychological drama that delves deep into the mind of its unnamed protagonist, who is a man struggling with obsession, self-deception, and the complexities of perception.

Set in an unnamed European city, the story follows a man who has been living a quiet, solitary life, grappling with the aftereffects of an affair and an incident of jealousy. As he spirals into confusion and paranoia, he becomes obsessed with his own identity, and the narrative takes unexpected twists. The Eye is a study of perception, personal identity, and the subjectivity of experience. Nabokov’s narrative is disorienting and surreal, often blurring the lines between reality and illusion.

The novel’s exploration of psychological alienation and the limits of self-knowledge makes it a rich, complex read that offers both intrigue and intellectual challenge.

Why Read This Book

• A deeply psychological novel that dissects the complexities of the human mind and perception.
• One of Nabokov’s lesser-known but highly regarded works that showcases his mastery of narrative complexity.
• A great exploration of obsession, identity, and the psychological effects of guilt and jealousy.
• Ideal for readers who appreciate Nabokov's literary style and his ability to create complex, unreliable narrators.
• A short but intense read that raises profound questions about reality and self-awareness.

About the Author

Vladimir Nabokov (1899–1977) was a Russian-American novelist, poet, and translator, renowned for his brilliant prose, intellectual depth, and exploration of complex themes. Best known for his controversial novel Lolita, Nabokov’s works are famous for their precision, wit, and literary innovation. He wrote in both Russian and English, producing masterpieces like Pale Fire, Ada, or Ardor, and The Gift. Nabokov’s writing often explores themes of memory, identity, perception, and the subjective nature of reality, making him a significant figure in 20th-century literature.