Stars from Another Sky is a fascinating collection of essays by Saadat Hasan Manto that provides an insider’s look into the glamour and grit of Bombay’s film world during the 1940s. Manto, who worked as a scriptwriter in the Bombay film industry, offers personal and candid portraits of some of the biggest stars of the era, including Ashok Kumar, Nargis, Shyam, and Noor Jehan. With his sharp wit and keen observation, Manto reveals the vulnerabilities, eccentricities, and struggles of these actors, offering a glimpse behind the glittering facade of stardom.The essays are written with Manto’s trademark candor and insight, delving into the personal lives and professional challenges faced by these stars in a rapidly changing industry. This book is not only a chronicle of the early years of Indian cinema but also a reflection of Manto’s deep understanding of human nature, fame, and the fleeting nature of success.
Why Read This Book:
- Offers a rare, behind-the-scenes look at the Bombay film industry during its golden age, filled with anecdotes about legendary stars.
- Manto’s personal experiences in the film world give these essays an authentic, first-hand perspective.
- Provides a unique blend of literary insight and film history, perfect for those interested in both cinema and classic literature.
- Manto’s storytelling captures the charm, struggles, and human side of Bollywood stars, often hidden behind their larger-than-life personas.
- A captivating read for fans of Indian cinema, film history, and anyone curious about the early days of Bollywood.
About the Author
Saadat Hasan Manto (1912–1955) is considered one of the greatest Urdu writers of the 20th century. Known for his stark realism and unflinching portrayal of the human condition, Manto’s short stories often dealt with partition, communal violence, and the lives of ordinary people. He also spent several years working as a scriptwriter in Bombay, which provided him with the material for this vivid and insightful collection. Manto remains a significant figure in both Urdu literature and the history of Indian cinema.
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