In the sequel to Cinema I, Gilles Deleuze introduces the concept of the "time-image," expanding his analysis to explore how cinema portrays time and thought. Using examples from filmmakers like Tarkovsky, Resnais, and Godard, Deleuze examines the shift in cinema from classical narratives to more fragmented, introspective forms of storytelling.
Why You Should Read This Book
- Explore the concept of the "time-image" and its role in modern cinema.
- Understand the evolution of film language from classical to contemporary styles.
- Gain insights into the works of avant-garde and experimental filmmakers.
- Appreciate Deleuze’s innovative perspectives on the relationship between time and image.
- Engage with a philosophical exploration of cinema as an art form.
About the Author
Gilles Deleuze’s contributions to philosophy, particularly in aesthetics and art theory, continue to influence scholars and filmmakers alike. His works challenge traditional boundaries, offering new ways of thinking about cinema and culture.
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